André Paul Pinces


Lurking around HMAb I became befuddled and charmed by a cute little post on André Paul Pinces.
Later, on his site, I found three of his films he’s done as look books for clothing labels. More charm.
You may recall an earlier post where I shared a similar approach to a clothing label and their upcoming collections. My point of view is that these are much more effective when I don’t feel like I’m dealing with blatantly but painfully beautiful people. Some of them still look pushed and over staged, but the effort to sell the lifestyle rather than the object (model) is much more appealing.
So this is what a magazine would have a harder time accomplishing. This medium lends itself to viewers getting lost in the ad, and one almost feels like there is character development. MUCH more effective than a raunchy Gucci ad.
I’d be excited to see more and more labels going in this direction, beyond just clothing. Artistry and craftsmanship, duh!
There’s more!
Mr. Pinces also has a series of photographs entitled Dashed Dreams.

Check this out.

First of all the title of this series is incredible. There is so much going on here! His choice of car + scene + photographic style are working so well here to craft a story. It feels like I could stare at any of these and begin writing a narrative. This sort of execution is what makes photography come alive, the ability to craft something so engaging that each person can bring their own story to it. Thank you very much, Andre!
André Paul Pinces

From Where We Stand: FORTPORT calls for submissions!

This post marks the beginning of a new series entitled From Where we Stand. Through these articles we will attempt to explore the spaces that have an effect on us and share the emotions and memories to which they are attached.

Our first submission comes from our friend Jay Winfrey who was also the mastermind behind this new segment. Jay is a musician, designer, craftsman and all around great guy living in Portland. His heart however still lies in Texas where he grew up. Jay will be making submissions to this project from time to time as well as curating submissions. More details about the project as well as how you can submit your own story can be found at the end of the post.

Photo of Jay courtesy of Chris Hodney


No. 1

I am thankful to be alone.

While on a tour of the University of Portland’s campus, I would likely be paraded past its chapel and simply given the Mass schedule. But unescorted, I am allowed to fully experience Pietro Belluschi’s Chapel of Christ the Teacher without being hurried along. I am free to linger and to get lost in the memories conjured by its architecture.

Something in the mix of the chapel, the sun and the smell of cut grass floods me with boyhood memories of summer Sunday evenings spent running amuck in the yard of First Baptist Church, Sundown Texas. We kids played freeze tag while our parents talked beneath the metal-roofed breezeway. The building’s rough, pale-yellow firebrick, if scraped up against while running, would leave burning reminders of the dangers of straying from the straight and narrow. A gleaming glass-block cross above the sanctuary entrance showed us the path to righteousness. The orange, purple and pink sunset stretched its fingers over the gabled roof and held us all there, letting us know that He has the whole world in His hands.

The memory was over in an instant, but its power left me a bit dazed. This little church, with the surrounding sounds and smells allowed me to recapture things I haven’t thought about in years. It was a deep and profound experience that a work of architecture has only caused in me a few times before. In truth, it’s not form, but the experiences and memories evoked by the architecture that will motivate me to visit this building again and again.

At the beginning of his book Thinking Architecture, Peter Zumthor observes, “There was a time when I experienced architecture without thinking about it.”

This statement is certainly true for all of us. Our early experiences with the surrounding world become the foundation for all other input and processing. I rarely think of a school without replaying the first time I struggled against the heavy wood doors of Sundown Elementary. Small concert halls always put me back on the piano bench in Mrs. Wells’ living room, a metronome pounding into my brain. Thunderstruck and TNT by AC/DC make me want to head to the field house, put on gym shorts and lift some weights. It’s a high school football thing.

The goal of From Where We Stand is to seek out buildings and spaces that strike a transcendent chord, that touch a beauty that is beyond their aesthetics; the beauty of experience. This beauty can be found in a chapel, a burned-out warehouse or a nightclub. It can be found anywhere we live. We understand that experiential beauty is deeply personal and so only posting our experiences would not do the topic justice; therefore, you are invited to submit your own. We will select a story from time to time to be posted on this site. Please include photos… We hope to hear from you soon!

Submit to fp.fromwherewestand@gmail.com

Legal Things:

By submitting content to From Where We Stand and FortPort.com I hereby agree that the Contribution I have submitted is not material previously copyrighted by any person, company or organization.

Authoring Credits:

Authoring credits to any content submitted to From Where We Stand on FortPort.com will be given to the submitter upon publication on FortPort.com and in all other media of expression.

Publishing and Copyrights:

The copyright and publishing rights to any Contribution to From Where We Stand as part of FortPort.com is transferred to Jay Winfrey and FortPort.com. The copyright transfer covers the sole right to print, publish, distribute and sell throughout the world the said Contribution and parts thereof, including all revisions or versions and future editions, in all forms and media of expression – such as in its electronic form (offline, online) – now known or developed in the future, as well as to translate, print, publish, distribute and sell the Contribution in any foreign languages and throughout the world.

Mixtape! Chanteurs!

This tape is so much fun. Murder ballads, saucy cocktail numbers, joie de vivre, lonely club strings from the 60’s.

Traditionally a Chanteur is a french-speaking legend of song (loose English equivalent: chanter), but we’ll stretch that definition to include the American Judy Henske, and two Swedish vixens here. Pictured are Judy Henske and Jacques Brel, who are featured most on the tape. They mix excellently together, like an aged spirit distilled in an oaky barrel. The majority of these tracks were recorded during the 1960’s, some live. Play over dinner, cocktails, or after watching Good Morning, Vietnam!

Perhaps the next tape I will figure out how to have the tracks visible in iTunes? Any clues? I’m using Audacity.

Enjoy, err… apprécier. And don’t murder your husband, as Judy Henske does twice in this mix. It’s rude.

Sonar

MAN math is beautiful huh? This video blew me away with it’s simple and elegant construction. This is what really get’s me excited about design. Taking complex ideas and presenting them in such a well thought out manner than no bells are needed. The ideas wether they be design related or mathematical speak for themselves. I’m going to stop talking and watch this again.

Kate Consumption NOW

The one, the only Kate Bingaman-Burt opened up Land Gallery on Friday. Balloons, pencils, colors, madness. And the cocktail dress of the decade. Such a star, and I so love that her lil gift package of rip-offs given to her by Frank was captured in that last photograph. So that is called joy!

The overall feeling of the show could be surmised as the collision of sunshine + love + energy + consumption. Not the rampant nasty consumption, but the fun kind like sunglasses and sweet tea. Following the launch of her book, Kate’s talents and mind are now available for the nation to admire. Buy a copy for yourself and one for your mother here.

Rest of set, including show set-up (by Pat Castaldo)